beverly

Archive for the ‘Vancouver Film School’ Category

“Food For The Gods” Taking The Festival Circuit By Storm

In Acting, News, Vancouver Film School on August 14, 2008 at 12:50 am

Wednesday August 14, 2008

If you haven’t heard the name H. Scott Hughes yet…well, you have now. “Food For The Gods”, directed by Texan H. Scott Hughes, is the legendary Pocahontas story, with a twist. H. Scott pulled a JRR and even invented a language, Kyontowan, for the native villagers to speak in the film. FFTG has enjoyed screenings at the New Asia Film Festival in Richmond, Canada, and on the Shaw Multicultural Network in Vancouver as part of Asian Heritage Month in May. It will be seen next at the Route 66 Film Festival in Springfield, Illinois in less than a month, and at the Vancouver Asian Film Festival in November 2008, bringing Scott back full circle to the city where the film was born. Way to go Scott! Beverly plays the character “Princess Xionko” in “Food For The Gods”. Check out www.food-for-the-gods.com for full story details.

A Week In The Sound Studio

In Acting, News, Vancouver Film School on August 9, 2008 at 12:51 am

Saturday August 9, 2008

Today marks the end of an eventful week of ADR in the sound studio for 3 projects.
The first was routine ADR for a bit part in “Kate Is 20″, one of VFS Film Production Class 118’s grad films. Beautifully shot on 16mm film, “Kate Is 20″ is a coming of age story of an awkward young woman on the brink of adulthood. Directed by David Innanen.

The second was doing narration for a documentary short entitled “Tibet At A Glance”, compiled by Maggie HuiLin Wu of VFS Foundations Class 27. She ACTUALLY WENT to Tibet to film this project. Kudos to her!

And finally, I got to act in Cantonese for the first time ever, doing voice replacement for “Pious Son”, directed by Wallace Yuen also of VFS FP118. Apparently there was a mix up in scheduling and the original actress ended up being out of town on the booked studio days. Happily, to aid my limited Cantonese vocabulary and ill-practiced tongue, I was afforded the luxury of a soundproof booth, technician with ProTools, and a patient director, who helped me rehearse each line ~10x before we recorded each line multiple times. Painfully slow, but surprisingly not that much slower than ADR in English. I have the good fortune of pretty accurate pronunciation when I know the words to say. I experienced for the first time the dangers of not eating an excellent breakfast before heading into the recording studio – my stomach kept trying to steal the show with gurgling noises, which were clearly audible through the microphone. I eventually had to ask for a short time out to eat what I had brought for lunch. All in all, a very productive week working in a medium that I admit, I like even better than acting.

Beverly Wraps Filming On “Kate is 20″

In Acting, News, Vancouver Film School on July 9, 2008 at 12:56 am

Tuesday July 9, 2008

I wrapped shooting on another VFS Film Production short called “Kate is 20″ yesterday. I was only scheduled for one day on Monday but due to some technical setbacks on the production side of things, they had to quickly shift locations and I got called in today to do another scene on short notice. So basically I got to amalgamate a couple of minor characters.

EUREKA! THE CURE FOR HICCUPS!

In Personal, Vancouver Film School on December 26, 2007 at 11:23 pm

I believe that I may really be onto something…a major scientific discovery…

A cure for hiccups!

A few weeks ago, in a rehearsal for our grad musical theatre production, Caleb (a classmate) walked by with a clothespin promoting the benefits of said clothespin over the fleshy bit of nose right between the eyes for re-invigorating mental alertness/awakeness during another long rehearsal day.

I happened to have a case of hiccups. I am a hiccupper. I get them every few weeks, and when I get them, it takes a long time for them to go away.

I tried his clothespin-for-mental-alertness trick, and discovered a side effect…

MY HICCUPS DISAPPEARED.

I thought it was just coincidence.

But then I had hiccups again today (just now actually), and thought of the clothespin trick…you know, what the heck, maybe it might work again.

I searched around the laundry area and found one, attached it to my face…

and…

I heard a hiccup.

And then,

Nothing.

And they haven’t come back yet.

EUREKA!!! I’VE FOUND IT!

Beverly’s Valedictory Speech

In Acting, Vancouver Film School on December 16, 2007 at 3:05 pm

Delivered at VFS Acting Class 29 Grad, December 14, 2007 @ Scotiabank Dance Centre, 677 Davie Street, Vancouver BC.

———————

On budget day, Canadian finance ministers often wear a pair of shoes that represent the fiscal priorities of the budget they are about to present in parliament.

What does that have to do with us? Well, I would like to introduce you to class 29’s shoes: * takes shoes off and tosses them aside*.
Film school is expensive. That, and we did a lot of our work this year in bare feet!

In our bare feet, we shared secrets that we thought we’d never have to face, or own up to in public.
In our bare feet, we looked into each other’s eyes and swore that we could read into the souls of the others.
In our bare feet we were stretched to our elastic limits, and when we exhausted our give, we snapped. Curiously, after the storm, we recovered and often became more elastic.
And on some days, we were too shy to take off our shoes.

Most of class 29 will agree with me – we had no idea what we were getting into when we signed up for the acting for film and Television program at Vancouver Film School.

I don’t quite remember what we expected to find, but I know what we found.

We found a safe place where falling apart was not just okay, but really okay. We were allowed to start from a place of just being, meaning that we didn’t have to hold up appearances for anybody and everybody.

We danced.
We told stories, each truer than the last.
We talked to each other in our sleep, and then in our waking hours,
sharing dreams,
sometimes without words,
and sometimes needing as many words as the body could possibly manage to conjure up to avoid telling the truth of the matter. And then we told the truth.
We learned how to create stories.
We learned how to move our bodies,
We learned how to move other people.
We made music out of noise, resolving discordance to beautiful discordant harmony.
Each from a different place.
Each with a different story.
Each with a different objective.
In the end, did we achieve our original objectives? All I know is we all got something from the others. We fell in love. And we bravely told the truth.
And THEN we learned (and are very much still learning) how to make truth come alive on camera.

Class 29, composed of 40 students, is the largest Acting cohort to graduate from VFS to date. We had to work hard to work together, but we did. We learned how to put up with each other’s eccentricities, and to be generous with each other. And then after we learned to be generous, our teachers told us to be more selfish in our acting! What gives?

To all our family, friends, and teachers, who have supported and encouraged us through the year with your love, we acknowledge you gratefully. Thank you for being here with us today. That in itself means a lot to us.

And finally,
There’s an old Irish blessing for times of parting with those you love – i send the following to you, class 29, with all my hopes and dreams for your futures.

(song)
May the road rise to meet you.
May the wind be ever at your back
May the sun shine warm upon your face
and the rain fall soft upon your fields
and until we meet again,
may God hold you
May God hold you
ever in the palm of his hand.

We’ll always be together in spirit.
Class 29, Face your fears, and continue to run forward, because, you never know what’s waiting around that next corner. And that’s … the best part.

Thank you.

You do not have to be good…

In Acting, Mental Diarrhea, Vancouver Film School on October 30, 2006 at 12:55 pm

the eyes dart around in fear as the noise overwhelms her her mind her head disappears in a cobwebby fog contained only by skull and eyeballs, teeth and nosehair. she looks towards the back door, an escape hatch, to get out, because she couldn’t hear the music in her head and it scared the shit out of her because there has never been a time when she’s had to produce music where she has been frankly unable to at least hear a decent melodic symphony complete with all associated harmonic lines and rhythm, and it scared her.

so her fear, her anger, her sadness spilled over the surface over the edge of her cubic lower eyelid edge to break the surface tension of the liquid at the very least.

clear the shit out

and

start over again.

it helped.

then i could hear the music again. the rhythm rhythm and it comforted me. comforting rhythm rhythm rain rain rhyme rhyme

silent city poetry VFS acting essentials 10c

In Acting, Vancouver Film School on September 18, 2006 at 6:41 pm

Paul, Kendell and I did a silent walk through downtown vancouver last friday, an exercise for voice class. We were not allowed to talk for the duration of the walk (~1 hour) We were then instructed to write a poem. Here is the result:

———
Run from the car for your little wing-ed life
like the penguin on the pillow over there
’cause here, if you want, you’ll be
king with a daisy, if only for a day
chiming, climbing while the clock sings for you.
Ring-the-rosy tree with iron, or copper like those
green patina wings, rising while I’m
Speaking of green can you spare me some change
or build me a train so you can run with me
at twenty-four / thirteen -
I dare you to chase me while I move
at a faster speed than you to the gardens of perfection
right. left. centre. up down all I see are
monoliths of green-blue glass no wait
there’s one that’s black like the sun look up
it’s the sun by the sun spelled out
like it’s never been moved by a gale force wind
oh right vancou-ver doesn’t get those -
downtown renowned, a little glass playground
defying even gravity.
I’ll stalk and not talk about your seeming perfection -
aspire and desire to retire in a square fishbowl will
foil in your window help? I really don’t know.
For now I’ll eat a shamrock
delicate and tangy so clean and shiny like that
stranger’s eye I caught passing by that natural neutral glance
as natural as a tree branch coursing through my veins
growing, slowing me down as I jump into a small
pail of … butts? Dried out, reconstituted
by last night’s rain. Gross, the water’s brown.
Look away to that twenty-first floor. I’m glad I don’t smoke
I wonder what they’re trying to fix
I swear it doesn’t look entirely safe, but look again
the water’s crystal clear, still and rushing at the very same time
Do you see the blue? Electric reflecting perfection
Your lack of smell is amazing
Must all be perfect? After all this
water glass grass perfection I will run run run far -
away is the word because I know, inside, that I am free
I am outside I can watch your seeming perfection and
gleefully sing to myself … “you’re as fucked as I am”

———

this is my headshot that i use at present. see, there are some days where I actually look good. too bad the picture is so tiny.

Beverly Wu headshot